Angela Davis is important.

Yesterday I was sitting in a funky little hair salon in my neighborhood. The hairdryer is right near the window, and people passing by and driving by can see right in. I didn't realize that my reading material, Angela Davis: An Autobiography would catch anyone's attention.

About twenty minutes into the dryer thing, and someone called the salon. "Angela Davis? There's no Angela Davis in here," said the hairstylist who answered the phone and was working alone in the salon. She then saw the book I was reading. We talked for a brief moment about what happened--10 minutes later. It took us that long to realize that Angela Davis is that significant of a person that someone would respond to watching someone else reading her book.

Shiva or Krishna?

The Vedanta Society of San Francisco came out today in the newspaper with some statement as to the Hindu belief that Jesus is
a kind of avatar like Shiva. Jesus's birth this year, and most years, is celebrated three days after the solstice, therefore on Saturnalia. Isn't Shiva associated with Saturn?

Rodney's Goodbye

This is Rodney Brown's swan song from Access San Francisco cable tv studios. I was the director, camera person and editor for this piece. Rodney has moved to Los Angeles and will be working with Spacetime Productions. Good luck, Rodney!


Thanks to my friends at Digital Etchings, for hosting the video.
2.6MB large - (Time: 4:24)

Now and Zen Mermaids and Guitars, Lovers and Love Energy

Now and Zen I just wrote a long, lengthy blog that got put on another website!!! Silly me, I haven't written a blog since July. There's too much to catch up on.

The blog had to do with playing an open mic tomorrow night. I played my guitar and tried to remember my old songs. The open mic will be at Sacred Grounds in the upper Haight opposite the Panhandle on Hayes Street. It is a place full of love energy. One cannot get enought Love Energy.

I'm on a cable access program on Love Energy called The Bro Jud on Love Energy show. I'm the "reader," and I often read from the techies' tome, The Rise of the Creative Class. I used to also read from Amma. I will again. The show is full of love and I think people will appreciate it.

Tomorrow I will also go to Love of Ganesha, a store in the Haight. I will meditate and talk with the people who work there who are from Thailand. They are beautiful spirits. Full of love energy.

About three weeks ago now I met a potential lover at Love of Ganesha. He is from Nicaragua and makes jewelry. There is a considerable difference in our ages. I really admire his sense of freedom, to think about going anywhere he wants. He lives at home with his parents and sometimes with girlfriends. He is a dread head but meditates very often at Love of Ganesha in which there is beautiful mediation room. Somehow I can't get him off my mind even though I went on a date with someone else two weeks ago and had a visit from an old lover who is going back to India last week.

Ah, the heart. It wanders. It ponders. I yearns.

Mermaids and Guitars plus Love Energy and Good-byes

I played my guitar tonight. The back is coming off of it. About 12 years ago I bought it for $90. from a French guy who had bought it in France. It's an Ibanez and therefore was probably made in Japan. I always had a problem with the high end being kind of gritty, but the guitar has been around a long while and has it's own unique sound like all guitars do. I was watching a Naveen Andrews interview on tv about six months ago, and he has a massive acoustic guitar collection. I'm sure real musicians do, too. My guitar collection consists of the Ibanez and and a Gretsch electric. My preference is to play electric, but to do open mics one has to use an acoustic guitar--for some reason!?

Tomorrow night I want to do an open mic at Sacred Grounds, a very love energy kind of place in the upper Haight on the Hayes Street side of the panhandle.

Love of Ganesha will be my stop before I go off to the open mic. Love of Ganesha is on Haight and Central and another store on Ashbury and Page. I love these two stores (how can one love a store??) and try to go to both as often as I can. There are meditation rooms in both stores.

I met someone through the Love of Ganesh store. He is from Nicaragua. He makes jewelry. Our relationship for that one evening and part of the next day was special to me in some way. Perhaps I admire his sense of freedom. He lives at home with his parents and doesn't have to worry about necessary bills. He doesn't even own a pair of shoes that he bought to fit him! He has dreadlocks and considers himself part of the young hippie love scene.

The show Bro Jud on Love Energy is a cable access one that I am on once a month. I've been with the show for 5 years. We are always considering different methods and modes and ways of speaking about love energy. I must have something in common with my young lover and therefore we were brought together. He called me "La Sirena." It is a quandary to me why mermaids are often depicted alone. Can anyone help me with the details of the myths about mermaids? (I'd like to make a song of it.)

I'm so glad to be blogging again!

My cat died.

Monday of last week I took my cat Lita to the veterinarian to be put to sleep. She weighed three pounds. She was nearly seventeen-years-old. Her eyes were half-open and she appeared to have lost her sight. Lita walked up the back steps and slept that morning on the bed of one of my housemates. She slept in parallel fashion with her companion kitten, Arlo, a black punk cat with green globes for eyes and almost 8 years-old.

By mid-afternoon Lita walked over to her water bowl and smelled it. She could not drink.

My housemates and I discussed whether she should be put to sleep or whether she would have more dignity dying at home--however long that would take and however much she might be suffering meanwhile. My decision had already been made: take her from her suffering. We reached the emergency hours for the veterinary specialists at 6:00 pm. I had decided to start reading The Upanishads. I couldn't see around me, although I was petting her while we waited.

When the vet saw her, he asked if she'd been eating at all. For the past week or more, she had started to end eating. He explained that she was utterly dehydrated. He compared her experience to one of his own when he was mountain climbing or something. He said he had had the same level of dehydration as Lita and that he had been in great physical pain. He also mentioned that he wished that people who have incurable diseases and are suffering immensely should be allowed to end their suffering. Euthanasia can save lives.

Forgot what I was trying to say...

It's red and velvety. It's a book. It's my "scribbling pad" and it is always near my bed. The writings are all from summer of 1999. There's a passage that I can't comprehend. I mean, I have no idea what I'm trying to say. Help me out!

"Don't you want to cry?" asked Patsy. She had just been made aware of her friend's recent miseries.

"What do you mean 'want to'? Sandra let out with a vehemence bordering on psychotic, episodic, (psychic?) meandering.

" I suppose I should have said, 'will you?' or 'can you'--or maybe I should just have remained silent. "You just said that no one cares about you."

"That's perfect." Gratuitous responses to what is obviously beyond anyone's control. "If I could cry, I would."

Her shoulder-length brownish hair was speckled with white. It was, at least, clean.

"I've got to go now," announced Patsy, as she tossed back her orange-cascading locks. "I just remembered I have to pick up the child. Take care, ok,?"

Patsy's tight black pants betrayed a certain need for sex, but her preppie, forest-green shirt told most of America that, in a pinch, she would be on their side.

Sandra...thought about the spirit that had inhabited her while she was pregnant years ago. She wondered if it ever made it to its desired home. Maybe it was living in one of Patsy's kids. "That thing spends too much time berating Man for whatever reason." Sandra told herself that it was time--now or never--to give birth to a similar ghoul or otherwise unsavory spirit. "I have absolutely nothing to hold on to, she thought. "And that's why women love to parade their newborns around the street of the city, allowing them to suck in all that carbon monoxide from busy drivers and then take them home to suckle off the teat of a Mama lamb who just grazed on some MSG-filled potato chips from the local corner store. That's what I need."

Bro Jud on Love Energy

Now and ZenBack in March I wrote about being a guest on the Bro Jud on Love Energy show on cable tv 29 here in San Francisco. I forgot to mention that I had worked all day, driven across town for an acupuncture treatment and wasted time away from home (a place called Bernal Heights) until I could be on the show where everyone arrive before 8:30 but videotaping doesn't begin until almost 10 pm. I have seen the dvd of the March show. I didn't realize that three large red pimple-ish areas on the right side of my nose/cheek were highly visible and that the person who was directing had my chair face the direction away from the camera almost at a profile angle so that my blotches could not be seen unless I turned my head 45 degrees to face the camera. I was thinner then, and I had my hair in pig tails and I didn't have bangs like I have now. Needless to say, I didn't bother to look in the mirror before the show and no one told me or commented on my blotchey face.

Tonight, before taping, Jud was combing his hoary beard and shoulder-length hair. He was wearing a black long-sleeved t-shirt. As he was combing, little bits of whitish bits of bits were falling on his shirt. No one told him his dandruff had completely covered his shirt. Because I wished someone had told me about my inattention to my appearance, I helped Jud swish the stuff off. Jud said, "There's always something, isn't there?" I could immediately ruminate on all my bodily flaws from too-thick hair to my un-sexy black socks with a black skirt. Yes, there's always something, I had to agree.

Then I thought about the fact that I'm supposed to be reading something about love energy on this show. People are supposed to be listening to what I read. Lately I've been reading Jud's writing, which, although not "bad," is sometimes murky and takes alot of smiling to carry off well. The director told me tonight that the special effects behind my head looked really good because I wasn't sitting right in the middle of the shot but was off to the side. I said that people have to have something visually interesting to look at since following the material that is read is sometimes a chore.

I used to read from books like The Creative Class and some of Amma's writings as well as poetry. I preferred stringing texts together so that the listener could concentrate on one or more of them and try to piece them together in their minds. But as time has gone on, the show has become, in Jud's head, a classroom or something. He goes off on tangents alot more and is less clear about what he's saying or who his audience is. However, people used to say, "What's this guy talking about? He's full of hot air."

Jud is over 83 years-old. He says he's losing his short-term memory. I have noticed this a little bit, but he is still able to get a 10-person crew together to do the show every month. And he has a "think tank" every Thursday to go over his ideas and to brainstorm. I haven't even mentioned his plan: to end poverty, to provide education to those who are unable to attend public schools due to many reasons, to help single mothers, veterans, people suffering from AIDS and people with physical and mental disabilities.

More on this later...

Now and ZenRemember when I wrote that I had a job working with small children with other abilities? It's hard to believe that I made it through the school year.

Last summer I underwent a severe depression in which I lost 25+ pounds and became anemic. I returned to the job with no energy. The kids were all new kindergarteners with autism, tantrums, screaming for hours, hitting, biting, pinching, hitting themselves with their heads on the floor. You had to be there.

And then at night I had to get up about four to five times to go to the bathroom. I was getting no sleep and working with these children.

By springtime I was sleeping better and beginning to understand the children a little better. And now that the semester is over until the end of August, I'm not really that tired.

There should be a lot to do. The hedonist in me wants to just play, play, play. The creative spirit wants to make music. The spiritual part of me wants to read uplifting books and do seva.

Anyone who has time off this summer and wants to go on a trip--write to me.

Facepainting and facelifting--not weight lifting.

Now and Zen: Sick and tired of being sick and tired--and anonymous.Today I performed the well-renowned art of facepainting at the educational institution at which I slave. The children were very vulnerable and cute, and at times I thought of myself as a make up artist, concentrating with Gaugin flair on the canvas. It was when I had to render a dinosaur on the cheek of a five-year-old that things got rough. Put those spikey humps in the right place, and all is well.

This week I demonstrated with 1499 of my cohorts in San Francisco Unified School District on Van Ness and Mc Allister. We all wore our blue white and red T-shirts and carried signs. My sign was actually written and conceived by another teacher but she gave it to me to embellish. It read "Give him back to Hollywood" and I added "better yet: Austria." They put my picture on the www.uesf.org (see below) as one of the demonstrators. I don't want to get into the socio-political suggestions in the sign right now because I really want to talk about superficial things like age and how people look. But I suppose how people look has something to do with the sign. If one is a white European, the idea of being deported for any reason is less likely than for people of different skin tones and from different places than Europe (and I'm not talking about Canada!).

Actually, I wanted to talk about age and superficiality and faces and facelifts and all that. A friend of mine today told me that I used to be one of her "young friends." Now that I'm "older," that is, can't pass for being twenty-five, I'm no longer "young." My friend just turned 60 a couple of months ago. I wonder how I would feel were I 60 right this moment. Would I feel even further away from 25? Probably. Would I need to get a facelift to become a 25-year-old? Probably. I have friends who are in their fifties who have had lifts. (I'm not fifty, and who cares, anyway).

Parrots and Love.

Now and Zen: Rubens, or the Michelin people.Tonight I saw the film "The Wild Parrots of Telegraph Hill." This is the first movie I've ever wanted to buy. My friend Dave and my housemate came along for this one. My housemate had to see "a film that starts and ends with parrots." And, at first while watching the film, I started to wonder whether this film could be carried by the parrots.

Then the stories of the parrots themselves became so awe-inspiring. I've already forgotten the name of the man who was feeding and befriending the birds. But he gave many of them names and told stories about their habits and wants and dislikes. He romantically recounted the relationships between the birds and the fact that there existed among them a blue-headed bird who never had a mate. This bird's name was Connor. So cute!

Ultimately the experience of this film is once again like many philosophizing screeenings: we are one. There is no coincidence in this. Yet there is. When we see that we are all one and really believe it, we will treat each other as though we were hugging ourselves.

Rubens, or the Michelin people.

Now and ZenToday I went to U.C. Berkeley Art Museum to see the oil sketches of Peter Paul Rubens, the Flemish/Dutch/Spanish painter. If you live around here, it's a show to see. Go now.

It's always been difficult for me to discuss art. I was terrible in Art History classes. But I'm the person the guard has to tell to keep their hands away from the works because I get so excited in talking about technique. I paint, too. I love painting.

Rubens' work is highly regarded for its rendering of the human figure as musculature draped in skin with white highlights in all the light/right places. He studied Caravaggio in Italy. His compositions kind of show this. He mentored Velazquez in Spain.
He studied Michelangelo and Raphael in Italy.

His work isn't perfect in the way that Michelangelo's is. The faces of his figures are not interesting except in the family portrait. But his use of dark umber and darkness and light is so fascinating.

Sick and tired of being sick and tired--and anonymous.

Now and Zen: The orange and the green without the wheel.Sometimes I get comments on my blog. Now, I know I don't write often enough to get many comments, but sometimes I do get them. I understand them and I receive them. However, I never get a signed blog comment. My need to communicate is somehow subverted by the commentary of those who would communicate only through anonymity.

About being sick and tired. I'm sick and tired of anonymous bloggers. But I'm actually really sick of my life and job and lack of a love life. I'm so tired of this situation that I can't get up with any kind of glee. It's so tiring being tired of things that don't change.

I saw the film 'What the Bleep do we Know' the other night. If only I were a photographer! If only I knew a little kid with a basketball! If only I had taken quantum physics at the university in which I spent so much time dreaming (I'll let you guess which one it is--not UC Santa Cruz, for you in the Sufi crowd, though)! If only I didn't have these major mood swings (except I'm always loathing my job (you'd have to read about it in another blog). Quantum physicists, please explain!

The orange and the green without the wheel.

MSN Hotmail - Today
Today was another Hallmark holiday. However this one benefits the bar scene and purveyors of alcohol, a poison. A friend of mine was telling me that there is a whole ritual around the drinking of alcohol. I believe this is true. When I didn't have the choice of spiritual convictions, I went to Catholic school. The only thing I liked about it was the incense. The same is true of bars. They have a distinct scent. Pepe le Peeuw (sp?) would be proud.

Meanwhile, Irish people of all descents have converged today. I like that aspect of things. It's like imagining you're from India, a country with a green and orange and white flag, too. But it's flag sets it apart from the drinking people. It has a chakra in the center. There is a spiritual component to the flag. Just like Korea's, for example. Today I am Korean and Indian and Irish with just a distant piece of Denmark. Just today. Tomorrow I'm exploring Chad.

Now and Zen

Now and Zen

Tonight I worked on the San Francisco cable TV show "Bro Jud on Love Energy." I am the "reader" for the show. Jud gives me articles to read, and I read them.

The first time I saw this show was back in 1995. It appeared on the cable menu, and I was looking for love (like always), so I switched the remote to it. Actually, I'd only had cable tv for about a few months. When I first got it, I was terrified. The whole world available in this box. It was weird and overwhelming. Now I was watching a local show that promised to give me tips on what love might be.

Tibet: Farms and Office Spaces

This is a poem I wrote October 14, 2003. Right now I can't come up with anything decent to write about the tsunami tragedy. So, I thought I'd post this poem written upon viewing the film 'Tibet: Cry of the Snow Lion.'



Tibet: Farms and Office Spaces

I've watched ou leading the prayer wheel
Around, itself a tall, wooden tsunami of intention,
Kind of like pine and redwood trees swirling
To the beat unheard yet heard, felt and shown.

Crying at the survival of burnt flesh and
Emotional watergush, we both are spectral,
Dreamlike machinations of a world not tall
With great gods of green and inverted life.

It is the concrete, mere sand and rock, that
Looms greyly, sometimes white-washed,
Above what used to be dirt, that is, earth,
Land, replete with worms, bugs and prayers.

There is blue, there is purple, there is yellow
And green, conjoined with this concrete.
Images of serenity yet to be born and yet
Then remembered, and soon to be torn down.

I want to tell you more about my longing
To know you, come into astral vortices
With senses over and over again enticed
And with much weeping more to be done.

Roots of radishes and potatoes might soothe
The hunger to be heard. Yet speech has been
Blocked--in your heart there is peace, and
In our hearts pain is truth, truth water and food.

A New Year in Spirit and Time

Today is January 2, 2005, a Sunday in California. Tomorrow will be January 3, 2005, and I will resume work as a teacher of physically and cognitively impaired children, ages 5 to 8 years-old. There are 5 five-year-olds and 3 over that age. Wow. Three of the children are autistic. Three of them have severe orthopaedic/cognitive conditions. One has Down's Syndrome and another a nameless cognitive thing. I have two aides and a nurse in the room. One of the aides sexually harassed me a couple of years ago and I didn't nail him. Now I have to deal with his subtle leers and nosiness. The other aide is also a man but he is a gentleman, kind and thoughtful. There are actually two nurses; they trade off weeks. The nurse I find most helpful to me will be there tomorrow. Something to be thankful for! She makes me laugh and see through the obstacles toward making this teaching situation less tense. Many people who think about K-12 education and especially that of special needs children have no idea how difficult it is to find like-minded people to work with in helping these children. I'm saying that someone doesn't have to have a compatible personality to work with me they just have to have the needs and safety of the children in mind first and not that of their egos. Find ego gratification in helping a child recognize a letter or learn to paint.

So, since I don't want to go to work tomorrow (for reasons implied above), I went to see Almodovar's 'Bad Education' today. This is not a film I would recommend to my co-workers. I saw it because I've seen practically everything else out there!?! (not really). This film taught me a lot about dreams and dreaming and film-making and image-making. I recommend it. It's getting to be about time to try to sleep so that I can get up tomorrow for my first day back of service. I'll write more about this film and others I've seen over this holiday break.